B and/or an Exhibition Guide In Search Of Its Exhibition, published by Torpedo Press, Oslo, in 2014, contains written exhibitions that float in time and space with or within a joke, one’s mind, Voyager 1, Chauvet Cave or inside the novel 2666 by Roberto Bolaño.
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B and/or an Exhibition Guide In Search Of Its Exhibition
Cube Fatigue. Spike Art Quarterly, Issue 52 Summer 2017. Download the pdf: Cube Fatigue.
Harvesting patterns of your life or a self-portrait from the perspective of a failure or a drone, hovering above for Imaginary Reader, Ed. Marie Nerland by Volt, Bergen, 2016.
Download the pdf: Harvesting patterns of your life
How To Clone A Mammoth (In Three Voices And With A Fisherman’s Exaggeration) is a reading afternoon on the poetics of de-extinction in the economy of clicks that premiered at Radio Athènes, Athens, 2015, and later was performed at the De Appel, Amsterdam, the RCA, London, Temporary Gallery, Cologne, HIAP, Helsinki, Mount Analogue, Stockholm, Brud, Warsaw, the Baltic Triennial, the CAC Vilnius and Kim? Contemporary Art Center, Riga. Using the structure of traditional Lithuanian polyphonic songs, the reading unites fragments, poems, quotes, stories about new friendships (as a metaphor for an old internet), on the importance of becoming Neanderthals, why Gertrude Stein would not pass the Turing test, the AI of language, and other random companies of post-humanist assemblages.
Download the pdf: How To Clone A Mammoth (In Three Voices And With A Fisherman’s Exaggeration)
Gertrude Stein would not pass the Turing test for Nocturnal News Good Times and Nocturnal News #3 edited by Carl Palm and Eglė Kulbokaitė. Presented at Overgaden, Trust exhibition, curated by Sonia Dermience.
Download the pdf: Gertrude Stein would not pass the Turing test.
What’s on your mind? text for Loop de Loop show by Iza Tarasewicz at Bikini, Lyon, FR.
Download the pdf: Whats on your mind?
Cadavere Quotidiano. A daily mourning book project. Published by Project X Foundation for Art & Criticism. Edited by Shana Lutker.
An interview with Darius Mikšys about the artist’s childhood for the Lithuanian Pavilion at the 55th International Art Exhibition de la Biennale di Venezia.
Spectator’s letter for Footnotes. Every Artwork as Different Entry to the Same Show, CAC Vilnius, LT. Download the pdf: Spectators letter, in Lithuanian and English
An Exhibition in Futura, “A Clock That Runs on Mud” project, Nero magazine.